Best-sounding Wreck version...
Moderators: pompeiisneaks, Colossal
Best-sounding Wreck version...
As a Trainwreck neophyte, may I ask:
Of the three Wrecks, the Express, Liverpool and Rocket, which is generally considered the best-sounding. I know taste is subjective, but one of the three versions must be preferred.
many thanks, BTF.
Of the three Wrecks, the Express, Liverpool and Rocket, which is generally considered the best-sounding. I know taste is subjective, but one of the three versions must be preferred.
many thanks, BTF.
Re: Best-sounding Wreck version...
There is *no* absolute best; there can be a personal best depending on your playing style, gear, bias and mood.
Express: big bold upfront sound cutting thru the mix for stage apps, sounds really nicely in studio with a suitable attenuator. Doesn't like most pedals or amateur players - you control an Express from the guitar, not the front panel. There's surprisingly little difference between EL34's and 6V6GT's when it comes to touch sensitivity.
Liverpool 30: more compressed and more chimey than the Express. Was designed for single coils but can give excellent results with other pups. Less touch sensitivity than the Express, smaller stage sound - IMO should be used in stereo or suitably miked, really nice in the studio with a small amount of pedal gain and a vintage Strat.
Liverpool Rocket: a Vox AC30 Top Boost à la Ken Fisher, with much better everything, from dynamics - micro and macro - to reliability. Easiest to clone (there were reportedly only six Rocket's built, so everyone is basing his experience on a clone), even approximative builds can sound AOK while top notch versions can be outstanding. Easier to play and mate, too.
Express: big bold upfront sound cutting thru the mix for stage apps, sounds really nicely in studio with a suitable attenuator. Doesn't like most pedals or amateur players - you control an Express from the guitar, not the front panel. There's surprisingly little difference between EL34's and 6V6GT's when it comes to touch sensitivity.
Liverpool 30: more compressed and more chimey than the Express. Was designed for single coils but can give excellent results with other pups. Less touch sensitivity than the Express, smaller stage sound - IMO should be used in stereo or suitably miked, really nice in the studio with a small amount of pedal gain and a vintage Strat.
Liverpool Rocket: a Vox AC30 Top Boost à la Ken Fisher, with much better everything, from dynamics - micro and macro - to reliability. Easiest to clone (there were reportedly only six Rocket's built, so everyone is basing his experience on a clone), even approximative builds can sound AOK while top notch versions can be outstanding. Easier to play and mate, too.
Re: Best-sounding Wreck version...
Much thanks, FYL.
I'm left wondering: is there a particular song or piece of music where one can say, "Ahh...there is the definitive Trainwreck sound!"?
We all look to the Beano album for great Marshall tones, Dick Dale is one prime exemplar of the pre-Blackface Fender sound, there's tonnes of great Fender and Marshall tones, and Santana is, I suppose, the prime exponent of the heyday of Mesa Boogie. I'd imagine Robin Ford is the Dumble priest, though I unfortunately know little of his work.
Who is a major proponent of the Trainwreck sound?
Regards, BTF.
I'm left wondering: is there a particular song or piece of music where one can say, "Ahh...there is the definitive Trainwreck sound!"?
We all look to the Beano album for great Marshall tones, Dick Dale is one prime exemplar of the pre-Blackface Fender sound, there's tonnes of great Fender and Marshall tones, and Santana is, I suppose, the prime exponent of the heyday of Mesa Boogie. I'd imagine Robin Ford is the Dumble priest, though I unfortunately know little of his work.
Who is a major proponent of the Trainwreck sound?
Regards, BTF.
Re: Best-sounding Wreck version...
I would say Glen Kuykendall, aka Geetarpicker here.Who is a major proponent of the Trainwreck sound?
http://www.glenkuykendall.com/
Re: Best-sounding Wreck version...
Heavens! Did some of those videos take me back to the 80's! I was an amplifier and musical instrument service tech during the 80's. I had a pair of those tapered pants, but never got around to the hairstyles...
Mr. Kuykendall has quite a good sound. I believe that's the only time I've heard a 'Wreck unless I heard one unawares on some song. I need to peruse YouTube more. Thank you for the link.
The interview with Fischer was very interesting- I had never seen a video of him until now. I've read several of his reviews and his technical papers over the years. Back in the mid-80's I even modded my AA864 Bassman's Bass channel with a preamp mod suggested by him and also adapted his presence mod for Blackface amps to its bright switch (this was before the 864 acquired its current hallowed status ). What's amusing is that when people used to try the amp, they tended to favor the Fischer side of the amp over the stock. He seemed very generous and one of the few "gurus" who offered truly usable ideas. What a shame at his passing.
Thank you (and Mr. Kuykendall) for the information. I enjoyed it greatly.
Regards, BTF.
Mr. Kuykendall has quite a good sound. I believe that's the only time I've heard a 'Wreck unless I heard one unawares on some song. I need to peruse YouTube more. Thank you for the link.
The interview with Fischer was very interesting- I had never seen a video of him until now. I've read several of his reviews and his technical papers over the years. Back in the mid-80's I even modded my AA864 Bassman's Bass channel with a preamp mod suggested by him and also adapted his presence mod for Blackface amps to its bright switch (this was before the 864 acquired its current hallowed status ). What's amusing is that when people used to try the amp, they tended to favor the Fischer side of the amp over the stock. He seemed very generous and one of the few "gurus" who offered truly usable ideas. What a shame at his passing.
Thank you (and Mr. Kuykendall) for the information. I enjoyed it greatly.
Regards, BTF.
Re: Best-sounding Wreck version...
BTF, Glen has got a CD available for purchase on eBay. It is called "Can You Hear it Ring?" and it is outstanding. It really showcases the Express and of course Glens killer chops .
Highly recommended.
Highly recommended.
Rob
Re: Best-sounding Wreck version...
For years I have never given thought to Trainwrecks, to be honest. I knew of Mr. Fischer, but not really of his amplifiers. Recently, a young man called me out of the blue about an amplifier he saw being used by Brad Paisley. When he described it as looking like a wooden box, I figured it might be a 'Wreck. He's become obsessed about this amp, and I've referred him to this site. I'll also recommend Mr. K's CD.
Thanks to you all for your help. I'm going to take another look at Francesca and see what all the fuss is about.
Thanks, BTF.
Thanks to you all for your help. I'm going to take another look at Francesca and see what all the fuss is about.
Thanks, BTF.
Re: Best-sounding Wreck version...
Should be some picks of Brads amp, the one is a Liverpool. which you'd think Brad might have liked the Rocket a bit more for his style.
should be some liverpool clips here too, the one amp Glen was playing in the interview was a liverpool.
should be some liverpool clips here too, the one amp Glen was playing in the interview was a liverpool.
Re: Best-sounding Wreck version...
Ahh, I believe we've conversed before on the Hoffman website, Ritchie! Nice to speak with you again!
I know nothing about Brad Paisley other than the Paisley Tele (which I associated more with James Burton-shows you what a fuddy duddy I am!). I know he used a couple of Voxes on commercials, but that's the extent of my Paisley knowledge. This fellow who is so interested in the 'Wreck actually called me and had me watching a Paisley duet with Taylor Swift (I think I have her name correct) in hopes that I might be able to tell him more about the amp! For a British Rock fan it was painful indeed. What I do to help a guy out!
Thanks again, Bill.
I know nothing about Brad Paisley other than the Paisley Tele (which I associated more with James Burton-shows you what a fuddy duddy I am!). I know he used a couple of Voxes on commercials, but that's the extent of my Paisley knowledge. This fellow who is so interested in the 'Wreck actually called me and had me watching a Paisley duet with Taylor Swift (I think I have her name correct) in hopes that I might be able to tell him more about the amp! For a British Rock fan it was painful indeed. What I do to help a guy out!
Thanks again, Bill.
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Re: Best-sounding Wreck version...
I'm assuming this is the Express (clone or real?), right?
Re: Best-sounding Wreck version...
No thats a real Rocket.strat_addict wrote:I'm assuming this is the Express (clone or real?), right?
Re: Best-sounding Wreck version...
Brad Paisley also has in wood cabinet form an older Zwreck and a new Zwreck that Mike Zaite (DrZ) may or may not release as a production model. He hasn't decided if he is going to release the amp designed by him and Ken F.
Re: Best-sounding Wreck version...
It was my understanding from another forum that the amp this fellow has been hearing is the Z-Wreck. It's all a bit confusing at times. Since I've been researching the Wrecks it seems Z made a few, Thunderfunk made a few, and Ken made less than 100, I believe. I've looked at the pictures of Francesca. The build quality seems very good. If this fellow starts off on Dumbles, I'm quitting!
Thanks all, BTF.
Thanks all, BTF.
Re: Best-sounding Wreck version...
BP also has a Rocket.Richie wrote:Should be some picks of Brads amp, the one is a Liverpool. which you'd think Brad might have liked the Rocket a bit more for his style.
should be some liverpool clips here too, the one amp Glen was playing in the interview was a liverpool.