I remember liking that amp and wanting one for a while there, until I went in a completely different direction... And I admit I was also kinda shy about it having a Mesa label on it if I got one, tonal purist that I was at the time...vibratoking wrote:The LSS is a good sounding amp IMO. It can be difficult to tweak, but there are alot of good sounds available. It doesn't have alot of headroom so tt can be a bit on the mushy and/or dark. It is often difficult to get the highs right, at least for me. The choice of rectifier playes a big part here. There are few guys in my area that use them and they sound like dogshit, but that is an operator problem. On the plus side, it is an easy amp to play and is very forgiving with regard to less than stellar technique. You very rarely feel like you have to fight with it.
Looking at the preamp schem, I can't really envision how in the world the bass doesn't get overwhelming on that amp with those cathode caps. Maybe it's the EQ location, and/or the requisite careful tweaking of the EQ, I don't know.
I'm itching to find one and play it at a local store to hear it 'now' with my ears 'now.' I'm tweaking a custom high gain preamp that runs on high voltages. This thing has a fairly different (and simplistic) topology all considered, much lower B+ voltages for the preamp tubes, low value cathode bypass caps, liberal sculpting of the low via passive R-C filtering between stages to keep it tight.
I'd like to mess with the circuit if I can get around to it, though playing one again now might help eliminate or intensify the desire to replicate it as a starting point...
Would love to hear how dropping the voltages down in that zone, or replicating that circuit but getting the voltage up higher would influence the overall voicing of the circuits.