So, I installed a 270k/820k voltage divider in place of the 1m grid leak on the reverb driver tube. And it did totally and completely clean up the messy signal that was being injected into the audio channels. However this (unsurprisingly) did have an effect on the reverb itself.
The reverb knob was now much more useable over it's entire range. I had already used a log/audio pot for the reverb but with the stock 1m grid leak even it came on pretty fast and furious. With my voltage divider knocking off 75% of the signal the whole range on the pot was now useable. I only use enough reverb that you miss it when you turn it off so this extra range on the pot was a good thing. However, driving the tank less hard seems to have killed the whole *vibe* of the reverb. It just did not sound as good.
So, clearly a compromise was needed. After searching the net, I found that replacing the 1m grid leak with a pot (the "dwell" control) was a thing that is old hat to many fender tweakers. So, I wired in one temprarily to experiment with differing ratios on the divider. I found something interesting.
I did not have to reduce the signal too much to delay the onset of reverb driver distortion until after the PI was distorting. And once the PI was grinding away with overdrive you don't see much of the distorted preamp signal ontop of it. I settled on only kncking down the signal into the reverb driver by 20%. Below is a scope shot of the trem channel on 10 with a 100mVrms signal with this setup.
dwell.png
Here the yellow channel is on the grid of the third gain stage. Note that on 10 neither of the first two stages of the trem channel distort at all. This is all due to the driver tube verdriving. The amp output here is in blue and just slightly shows the distortion from the reverb driver. The master is turned down so this is all PI overdrive.
The signal into the tanik is still strong enough to keep the reverb sounding like the stock setup. So, I think I'll wire in a permanent 220k/820k divider and go with that (no room for an extra dwell knob). And then the extra reverb overdrive will still be there but only after the power tubes and or PI have started to overdrive. So, you can't hear it.
This must be part of the reason the silverfaced reverb amps with a master volume had such a bad reputation. If you put a pre PI master on there then you are gonna see that yellow signal at the amps output and the PI wont clip till much later. It seems that the CBS engineers tried to fix this by killing the gain in the reverb driver tube. Which I'm guessing had a negative effect on the reverb itself.
Mike
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