some unusual sounds from the hot rodded HRM...man, I had fun recording these stuff
![Laughing :lol:](./images/smilies/icon_lol.gif)
Guitar is a Les Paul Historic 1958
www.theicon.org/november_rain.mp3
www.theicon.org/mad_wha.mp3
www.theicon.org/Knockin.mp3
Moderators: pompeiisneaks, Colossal
Massy, this stuff is fantastic and it's so nice to hear a very different application showing that these amps do the high gain thing very well. Your playing is excellent. Your amp seems particularly articulate and there is great note-to-note separation. I am really looking for an amp that does the Dream Theater/Mesa Boogie/Modern Progressive Rock sound well and the tones you are getting seem very much there.
Can you tell us a little more about your voltages and transformers? Did you change your PT for lower B+? Did you use the OD entrance as shown on the ODS101HRM schematic (with 390k/33pF)?massygt6 wrote:To answer some questions:
- no, until now I've not experimented with local feedback networks on this amp.
- I've got a 33pF ceramic cap bypassing a 390k resistor in the input OD network
- The filtering is increased with two 300uF 450v Philips caps instead of 2x220uF.
- The lower voltages are obtained with a proper dimensioned PT, bias is about 38-40 mA with a B+ of 405-410 volts.
- The tonestack is still standard Skyline
- The snubbers on V2 are 190pF, ceramics
paulster wrote:Now that's more like it!
M Fowler wrote:SweetWe finally get some good reference music for these Dumble builds
EaNot wrote:killer tone, thank You! Can You reveal a secrets of the scheme?
Yeah, definitely a refreshing change from the norm! Bring on the gainTonegeek wrote:I too would love to know more about how you shaped the tone to get the response you are getting
Structo wrote:Yes it is refreshing to hear a different take on a Dumble.
Although I enjoy the Robben and Larry tones, it just isn't in me to play like that.
But my genre is more rock and roll, the harder kind.
Exactly! I dig RF and LC as players and they do have some killer tone, but my playing affinity gravitates more toward classic hard and progressive rock. I've always enjoyed power trio groups and the guitar usually fills a more textural role in those situations, filling in the spaces in between. I love what I would consider a more modern/timeless flavor that Massygt6's amp is giving. It's quite Boogie-ish in a way (again, no offense intended to the Dumble purist camp as Randall Smith probably took something from the hot-rodded Fender idea that HAD probably developed first). If you guys like Dream Theater, John Petrucci has always played Boogie amps and I definitely hear that tone in Massy's video. I also hear some shades of Marshall in there as well but seasoned to taste with 6L6s.M Fowler wrote:Yes I agree this style of aggressive blues/rock is more to my liking and I really like the sound of this amp.
Tom, we'll look forward to hearing that amp of yours.Structo wrote:My amp gives it up pretty good with that type of chording and with the two EVM 12L's it really does crank pretty good. I love it when you can feel the punch in your chest. And my amp is only 50 watts!
Mark, this is what interests me. That 50W amp was ungodly loud but I know 100s aren't that much louder but the depth and punch are reputed to be significantly different. I am most curious about the Dumble MV since the amp is all about pre-amp distortion. If I can get that tone but with the MV on 1 or 2, that would be great.M Fowler wrote:Tom [100W] probably won't be that much louder [than 50W] but the bass, mids and highs will be more apparent.