
It's still not burned in yet, so I can't really reserve final judgement on the sound yet, but so far so good. I played it on the job last night and everybody seemed to think it sounded great.
-Aaron
Moderators: pompeiisneaks, Colossal
It's a dual Belton BTDR-2 based reverb. It's pretty close to the mono Belton application circuit, but with an input buffer like the Hermida Reverb and two filter / module sections in parallel. I like it much better than the single version. Running two modules seems to smear away the delay taps a bit more.What reverb circuit did you use? Did you take one off a pedal?
Are you using 9 volts and using 9 volt relays too?
How did you incorporate it into the circuit?
It's in series with the signal. The mix control with the difference amp seems to work very well and I can't tell the difference between the mix down with the reverb on and the reverb bypassed at all.I'm also curios about how you have integrated the reverb into the loop.
Is it in parallel with the loop or after?
I've considered putting EH "Holy Grail", hardwired in spring mode into my amps, since I like that larger than spring reverb sound, better than most real springs. What reverb circuit did you use...the PCB looks like the buffercurcuit for a Belton reverb.
Thanks! I love the Forte. I've actually got two of them both currently loaded with Celestion Heritage G12-65s.How do you like the Forte cab Aaron? What speaker did you load it with?
Thanks, Taylor! The cab worked out great! I love that early gen-look. The faceplates were perfect from BPN Lasers with the holes exactly where I positioned them on the computer. The holes I drilled in the chassis are another story, entirely.amplifiednation wrote:Looks like we nailed it on the cab design too. Great job.
How hard was it to get those faceplates spot on? You drilled the chassis yourself, right?