Thanks, yeah I think it turned out pretty sweet in the end. The dwell pot changes the reverb character quite a lot, mainly taking the surf splatter and sustain out of it. Nice when you want a more subtle trail effect, but the added noise due to less signal from the tank and therefore having to turn up the reverb level keeps me setting the dwell as high as possible and adjusting the level accordingly.lonote wrote: ↑Mon Apr 21, 2025 7:11 pm First, thanks for updating with results & revised drawings. I find lots of dead-end threads frustrating and it is nice to know how things turned out.
I think the clips sound really good, a result I would be pretty happy with.
I would encourage you to fool around with the send/return settings & play the dwell against the output & explore those changes. I have added a dwell to my last few amps & you can get any number of usable settings between the two. So far I have used pretty much stock Fender circuits, so these alternates are pretty intriguing.
Your drawing lists the tank # which denotes an 8 Ohm input. Is that what you used in the end? (first post mentioned a 150 Ohm tank) EDIT: Nuke beat me to it..
The recovery circuit is considerably noisier than the dry channel, even with the recovery stage input grid grounded, although the reverb tank adds a bit of noise as well. The noise within the circuit is mainly rectified hum and hiss. Adding plate bypass caps and cap to ground don't really change a lot, other than tone.
Makes me wonder if an OP-amp recovery stage is the way to go, for lower noise at least.